Lil Wayne Gonna Sue You!
Classic:

Pilfered from RealTalkNY, which pilfered it from NOLA.com.

Lil Wayne never would have made it had it not been for big Robert Hoobler.
New Orleans native rapper Lil Wayne.The celebrated New Orleans rapper would have bled to death on the floor of his mother’s Hollygrove apartment the afternoon of Nov. 11, 1994, at just 12 years old, after accidentally shooting himself in the chest while playing with a 9 mm handgun.
If not for Hoobler, the New Orleans police officer who cradled the bleeding boy in the back of a squad car that day on the way to the hospital, the Grammy-winning superstar would never have made the cover of the current issue of Rolling Stone.
The shooting, part of the Lil Wayne lore, has been chronicled before, but not its details, nor the tale of the man who saved his life: a 6-foot, 7-inch, 330-pound officer who responded to the shooting while off-duty, as was his habit.
That nearly fatal day, according to police records, 12-year-old Dwayne Carter Jr. left school early because it was report card day. He bought a hamburger, fries and soft drink from Burger King on his way home to 3409 Monroe St., Apartment D. He sat on the mattress in the master bedroom and began eating. But he stopped when he noticed a blue-steel Taurus 9 mm handgun.
The pistol had been left there the previous day, by a man who came over to watch a football game.
Little Dwayne picked up the gun and began horsing around with it in front of a stereo blaring music. At about 1:15 p.m., the boy accidentally fired a bullet through his chest. The slug then shot out the lower left corner of a window.
Somehow, it missed every vital organ. But the boy was dying.
Dwayne dialed 911, wheezing as he spoke. As blood poured out of the wound and formed a puddle near the stereo, the operator pressed for details. “You will find out when you get here, ” the boy said, according to the police report.
He crawled toward the front door, smearing a trail of blood behind him. He lay on the floor face down, pressing his right cheek to the ground, and waited.
Faint cry for help
Officer Robert Hoobler was on his way to an off-duty detail when dispatchers broadcast the emergency call.
Hoobler, who joined the New Orleans Police Department in 1988, regularly showed up at emergency scenes when he wasn’t working. Police work has been his passion since he joined the Air Force Military Police after graduating from high school in 1974.
Hearing the call, Hoobler, then 41, drove his squad car to the two-story four-plex, arriving at the same time as fellow officer Arthur Thompson.
The officers entered the complex and went upstairs. They knocked on the door of Apartment D.
“Police!”
No answer.
They could hear music. They knocked again.
“Police!”
Still, no answer. They tried the door, but it was locked.
As they stood in the hallway, Pamela Taylor, a woman living in Apartment C, walked up. The officers asked her who her neighbors were.
They just moved in, and she hardly knew them, she said. Taylor told them the maintenance man, who lived five blocks away, might help.
Thompson headed to the maintenance man’s house but found no one. Meanwhile, Hoobler went downstairs and paced around the apartment complex. Nothing seemed out of the ordinary. Confused, he went back upstairs and knocked on the door of Apartment D one last time.
“Police!”
This time, a faint voice answered.
“Help me! I’ve been shot! Help me! I’ve been shot!” Hoobler said he heard.
Hoobler kicked down the door.
He found a short-haired boy in jeans and a T-shirt, bleeding to death.
Hoobler radioed emergency medical services for help. As he awaited a reply, he spoke to the boy: “Talk to me, man. What happened to you? Stay awake.”
The boy just groaned.
Moments later, Thompson came in to the apartment. Hoobler searched the apartment for a gunman or a witness. He found the pistol at the foot of the bed. He noticed a shell on the bedspread, near the half-eaten hamburger.
Meanwhile, Thompson kneeled next to little Dwayne, urging him to hang on, asking him what happened. The boy said he shot himself by accident.
Hoobler asked 911 dispatchers how long it would take for the ambulance to get there.
“No unit is available, ” the dispatcher said.
Speeding to hospital
As Hoobler made sense of the dispatcher’s grim words, officers Kevin Balancier, Gervais Allison, Steven Williams and then-Sgt. Timothy Bayard arrived.
Hoobler met Bayard downstairs and briefed him. Bayard climbed upstairs. He saw the blood-soaked boy and heard him wheezing.
Bayard radioed the dispatcher and asked when the ambulance would arrive.
“No unit is available, ” the dispatcher said. “We’ll send the first one that is free.”
Bayard looked at Hoobler.
“Take him to the hospital yourself, ” Bayard, now a captain, recalled saying. “Grab him and get the f - - - out of here.”
Balancier backed a police car into the driveway and opened the back door. Hoobler scooped the boy up and carried him to the back seat of Balancier’s car “like a little baby, ” Bayard said. Hoobler lay the boy across his lap.
One officer suggested Charity Hospital, but it was too far away. “Take him to Ochsner, ” in Jefferson Parish, Bayard said.
It wasn’t as well-equipped to handle gunshot wounds like Charity — but it was much closer.
Allison sped out in front of Balancier and blocked traffic at major intersections. As Dwayne groaned and bled all over Hoobler in the back seat, Balancier sped to Claiborne and turned right. The street led right to Ochsner’s emergency room, which had already been notified of the situation.
Hoobler spoke to Dwayne the entire trip and lightly shook him to keep him alert. “Stay awake, son. You’re going to be fine. You’ll see.”
When they got to Ochsner, Balancier opened the door and let Hoobler out. Hoobler placed Dwayne on a gurney. Nurses and doctors frantically wheeled him away.
Hoobler went to the bathroom to wash off what he could. Most of his shirt, except for the sleeves, was tinted dark red.
Hoobler, Bayard and the other officers reunited in the emergency room lobby. A nurse told the group of winded officers, “If y’all had waited for EMS or taken him to Charity, he would have died.
“You saved that kid’s life.”
‘I almost died’
Years passed, and Hoobler went on to spend 10 years as a homicide detective. He began seeing and hearing about an up-and-coming Cash Money Records rapper named Lil Wayne everywhere: record stores, magazine stands, television and radio stations.
Meanwhile, whenever his work took him to Hollygrove, he came across the boy who nearly died in his arms.
He didn’t realize the two were the same person until after the rapper had hit it big.
One night, as Hoobler dined at a restaurant on St. Charles Avenue with a friend, a large man tapped him on the shoulder and told him, “Lil Wayne wants to see you.”
Hoobler cast a puzzled glance around the room and locked eyes with a man sporting wild dreadlocks and shiny chains. The man motioned him over. Hoobler didn’t recognize him until he stood over the table.
“This man saved my life, ” Lil Wayne said to several men and women around him, according to Hoobler. “I almost died, and this man saved my life. I’ll never forget him.”
He reached out and bumped Hoobler’s fist. They spoke briefly before they each returned to their meals.
Hoobler finished eating. When he went to pay for his meal, the waiter told him not to worry about it. Lil Wayne had picked up the tab.
Rock, not rap
Hoobler, who was born and raised in Gentilly and attended John F. Kennedy High School, left the NOPD after Hurricane Katrina. His home took on nearly 12 feet of water, he said, and his wife nearly drowned on her quest to safety.
After the couple was separated for five days in the flood’s aftermath, his wife convinced him to move to a small town in northern Mississippi. He got a job at a small police department, but became homesick. Now he plans to move back home, and hopes to get on with a local police department.
Lil Wayne, meanwhile, has gone on to record half-a-dozen studio albums and 11 mix tapes, selling millions of copies of his work and appearing in dozens of music videos along the way. His “Tha Carter III” was the best-selling album of 2008. He won four Grammys earlier this year.
Lil Wayne, now 26, would likely not be alive, much less the world’s most celebrated rapper, without Hoobler’s efforts.
Still, the officer said, “I’m proud of what he’s done, but I would’ve done the same for the guy no one ever heard about again.” Everyone else there would have, too, he said.
Hoobler has never bought any of Lil Wayne’s CDs. He mostly listens to rock bands: AC/DC, Nickelback, Motley Crue, Ozzy Osbourne, Metallica.
Hoobler brightened when he learned Lil Wayne has recorded a rock album and will release it later this month. That, Hoobler said, he might buy.
. . . . . . .
So it’s 7:02pm, the day this is breaking.
Why-oh-why is this happening the day I have to turn the tenth issue in for layout. I’m still editing, and now I’m fielding a ton of calls and texts, trying to sort this out. And we had an interview with Drama all ready to run, that obviously now needs some revisions and updating.
So Wayne’s obviously a loose cannon. It’s funny to this day, how the audio of the interview keeps popping up. (See video below…) My question is, almost to Drama alone, why are you STILL riding for dude? First Wayne was talking all greezy at Dram when he got raided. Then there was my interview where he did the whole “Fuck mixtape DJs” routine. Now Wayne is suing him, over tapes that he collaborated with him on?!?!
Drama told XXL:
“I am confident that this matter will be resolved quickly without harming the relationships between myself, Wayne and Cash Money Records. The accusations against me are misplaced… This is not a case of Lil Wayne vs DJ Drama. Me and Wayne are good.”
Here’s the actual legal paperwork, courtesy of TheProofIsMe.com:
Page 1
Page 2
Page 3
As you can see, Drama wasn’t the only one named.
BCD Music Group was also named. Sound familiar?
Chamillionaire had a little beef with them.
Universal had a little beef with them.
Atlantic had a little beef with them.
Also named was Makin’ Music/Frank Nino.
Here’s his response (the beginning was what I was referring to above.)
Beginning sound familiar? That pesky interview with me and Wayne just won’t go away…
And, I will say this. There was another 9 minutes of audio from that Lil Wayne interview that we hadn’t released. But as time goes by and we go to print, the rest of that interview becomes more and more relevant…
I don’t even really want to bring all the “Lil Wayne’s attitude towards mixtape DJs” debate again. Or “Why are DJs continuing to put out his music/ support him?” But Wayne continues to not really let it die, does he?
I wonder if anyone is geting rich off Wayne. Besides Wayne. (DJs?) But I wonder if know Wayne is getting rich of the DJs. Look. It’s not only because of the DJs, but c’mon… Like Frank Nino points out in the video, and countless others have said, there were three years between albums, and Wayne and the DJs kept feeding the streets and internet. Without one, the other isn’t what it is. That cuts both ways. But it seems like Wayne doesn’t really see it like that.
There has to be more to it… I wonder if we will ever find out. Or if it even matters.
**Updates:
MTV posted this:
An e-mail blast sent to members of the media and music-industry insiders on Thursday (April 2) by Makin Moves Entertainment revealed court documents were filed in New York District Court summoning the company, as well as DJ Drama, to answer to charges of selling Lil Wayne’s music illegally. According to the documents, the lawsuit was filed February 18 of this year.
The information was surprising to many, considering Wayne and Drama collaborated recently on Dedication 3, the third installment of their popular mixtape series that helped catapult the rapper to superstar status.
Candace Carponter, an attorney representing Cash Money Records, confirmed to MTV News the authenticity of the documents. Carponter clarified that the lawsuit — stemming from an ongoing case against BCD Music Group, an independent distribution company based in Texas — has not been pushed by Lil Wayne directly, but by his recording home. Lil Wayne created a rift with many mixtape DJs last year when he lashed out at them during the release of his most recent album, Tha Carter III. The rapper levied claims against a number of DJs who he felt were profiting illegally off of his work. He later cleared up his remarks on DJ Drama’s radio show, of all places, singling out the Empire, the DJ who had released a number of Da Drought Is Over mixtapes featuring Wayne.
During the initial legal proceedings, Carponter explained BCD provided the court with documents that allege the company signed contracts with Drama and Makin Moves Entertaintment for rights to sell projects that included DJ Drama’s Wayne collaboration Dedication 2.
Carponter acknowledged the initial collaboration of putting together the mixtapes was done with consent, however, selling the projects in retail outlets with Lil Wayne’s image and likeness was an illegal act. The parties, she also noted, did not have rights to strike deals with Wayne’s music.
In an e-mail message to MTV News, Drama stated, “The accusations against me are misplaced.”
“This is not a case of Lil Wayne vs. DJ Drama. Me and Wayne are good,” the DJ wrote. “I am confident that this matter will be resolved quickly without harming the relationships between myself, Wayne and Cash Money Records. However, due to the ongoing nature of this litigation I do not wish to make any further comments.”
According to Carponter, the summons were sent within the past two weeks to the parties, which court documents list as BDC Music Group, Inc; Deep Distribution World Wide, Inc; Tyree C. Simmons; Cinque Productions, Inc; Apphilliates Music Group; Makin Moves Entertainment; and Frank Nino.
“BCD claimed the right to sell the music,” Carponter said, noting the contracts the company said it signed with the parties, including Drama. “So we named them in complaints and they have 30 days to answer the charges, based on when they receive the papers.”
A request for comment from Lil Wayne has not been answered as of press time.
So most of this is straight pilfered from Miss Info’s blog….
A slew of tracks from the project are starting to leakyleak.
By Myself
Guys Like Us
1 Arm
Him Her & Me
This has been in the works for a minute, but we all know about Juelz label situation.
But what about the whole shebang?
This is for the unofficial mixtape:

This is different from the official I Can’t Feel My Face release…
There’s also a video From Smack DVD with Santana talking about everything, but for the life of me, I can’t find it or pull it up.
Someone shoot me a link.
Again. Everywhere…
“…Have you seen those guys? They’re adorable. Pause”
“I’m a gangster Ms. Katie…”
Regardless of my opinion of Wayne, I can’t knock his grind or his sports knowledge. Once again, Wayne pops up at the Super Bowl, to red carpet interview for ESPN…
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